What Are Crystalline Glazes?

Crystalline glazes are specialty glazes that show visible and distinct crystal growth in the matrix of the fired glaze. Although most crystals are not this large, some can grow up to four or five inches across within the glaze matrix.
  • 01 of 05

    Crystals in Glazes

    This is a close-up of a crystalline glaze, showing lovely crystal development.
    This is a close-up of a crystalline glaze, showing the lovely development of macro crystals within the glaze matrix. Image Courtesy of Mara Cammi Orsi

    Invisible crystals inhabit many if not most glazes. Many matte glaze textures and opaque glazes are the result of multitudes of micro-crystals or crystals that are so small that they are invisible to the naked eye. The macro-crystalline glazes, or more commonly known simply as crystalline glazes, have crystals that grow large enough to see.

    The glaze on a fired pot is generally an amorphous supercooled liquid. As the glaze is melted and cooled in the kiln, glass molecules bond together in random...MORE strings. Crystals occur if the glaze is fluid enough to allow molecules to move more and hot enough long enough to allow the glaze molecules to arrange themselves in structured strings, or crystals.

    The image is courtesy of Mara Cammi Orsi.

  • 02 of 05

    How Visible Crystals Form

    The macro-crystals found in crystalline glazes form around a nucleus of a tiny titanium oxide or zinc oxide crystal. In the right circumstances, zinc and silica oxide molecules will begin attaching themselves to the nucleus crystal. These molecular bonds are in very specific arrangements, which we see as crystals.

    For this to happen, there must be an extended time at higher temperatures to allow time for crystal growth, and the glaze must have the right type of chemical composition. These are the...MORE first two of three factors that potters deal with when working with crystalline glazes.

  • 03 of 05

    Crystals take a long time to grow. In order for this to happen, the glaze must remain molten for an extended period of time. Firing schedules for crystalline glazes usually require a soaking period at the end of the temperature gain, plus a down-firing ramp.

    Generally speaking, crystals begin to form as needle-like shapes at about 2084°F (1140°C). If the temperature is held at about 2012°F (1100°C), a double-axehead shape will usually form. Holding the temperature between 1994°-1850°F...MORE (1090°-1010°C) will encourage the shape to round out. Fully rounded crystals give a distinctly flower-like effect.

  • 04 of 05
    Diagram showing how to load pots with crystalline glazes into the glaze kiln for firing.
    Diagram showing kiln furniture used to load pots with crystalline glazes into the glaze kiln for firing. Photo © 2009 Beth E Peterson

    In general, crystalline glazes are also high-fire glazes and require relatively high percentages of zinc, titanium, or lithium. Lithium is able to encourage crystal growth even in lower temperature glazes.

    Crystalline glazes are lower than normal in their alumina content. In addition, the amount for free silica in both the glaze and the clay body must be kept at a minimum. Otherwise, cristobalite may form, making the pot much more brittle and susceptible to thermal shock.

    Because of these...MORE requirements, crystalline glazes tend to be quite runny. Pots should be fired on a bisque pedestal-saucer (see illustration) to catch all drips. The pot's bottom may need to be ground and polished after removal from the kiln.

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  • 05 of 05

    Because of the crystal's molecular structure, only certain colorants can migrate into and color the crystal. These are cobalt, nickel, copper, iron, and manganese. However, due to molecular characteristics, these colorants do not all act the same way.

    Cobalt is the strongest; it will override the attraction of the other colorants and move into the crystal structure alone. For example, if cobalt and manganese are both present, the cobalt will migrate into the crystals making them blue, and the...MORE manganese will remain in the glaze matrix, making it yellow. If cobalt is not present, nickel takes next precedence in migrating into the crystal, then manganese, then copper. Copper, if by itself, will color glaze and crystal fairly evenly.